1. Photograph your art outside when it is cloudy or overcast. Outside is a “natural” light and will provide the best representation of your art. Just make sure that it is indirect light.
2. Use a tripod or any other device (boxes, table or ladder) to hold the camera steady.
3. Match the angle of camera with the tilt of the art that is propped against the wall and make sure the camera is focused at the exact center of the art. Do not use a “wide angle” lens. If you have a zoom lens, then use that.
4. If at all possible, when shooting do not have your art framed or with glass in the frame. It is very hard to get away from any reflections in the glass. Also, if the art is frame-less this will help in post-production. If it is framed with glass or plastic make sure it is absolutely clean.
5. Make sure that the flash is off the camera. If not, the flash will produce “hot spots” on your art and there is practically nothing that you will be able to do about this.
6. When your art is leaning against the wall and you have focused your camera lens in the manner previously described, the thing to look out for are any distortions of the art and that your edges are straight and parallel. In the view finder match the edges of the art with the inside edges of the frame. If you cannot get it perfect, this can be taken care of in post-production.
7. If your camera has different settings like SLR then try different shutter speeds and ISO settings. Try to bracket the camera’s settings from high to low and you should be able to produce an image somewhere in the middle of the settings that matches the depth and color of your art. Slower shutter speeds will help with your colors. Experiment with the exposures and shutter speeds if you are doing this for the first time. Better yet, if you have a photographer friend see if they can help you with this.
8. You will need photo editing software to crop the image in order to eliminate any distortions and lines that could not be made exactly parallel. If you do not have an editing program, 2 good free programs can be found atwww.gimp.org or atwww.sumopaint.com/app I also suggest that you eliminate the frame when you crop the image. Also, use the editing software to balance your colors and contrast. It will never be perfect, but you will be able to get pretty close representation of your art. Make sure that you are producing a jpeg image for the submission process as this is the accepted standard.
Overall, an image of your art will never be perfect but with trial, error and experimentation you should be able to present your art .
Next Post10 Signs You Are Dealing With An Art Scammer
All content Copyright Light Space & Time, Inc.
Visit the post for more.
Source: insideout|art Installation|
acceași tema pe site @metal
By Art Curator Liviana Dan
Roxana ionescu,creates events.They are being multiplied by there own presentation.
She does not over use the viewing technicks but rather finds other methods to clarifie each information or process that she is creating.
The artist works ..just as delicate in forged iron as in aluminum or tin.
Her portrets and landscapes contain a history that desaminates them and rends them tangible.
Her work .”little curly girl.”cought the eye..by the violent and irrational shapes that are talking about singullarity..
a resistence to the real time,that give its transparency towards the absolute.
“Insideout.” project invites us in a dangerous game with the fourth dimmension,that of the virtuallity surreal,the impact of opposite pols is provoked:
opposite-those of past and future.,and those of subjective and objective.
Everything is zerrowed..fueling the desire for the knowledge of the invisible.
The art of Ionescu Roxana does not corrupt the vizible,but rather changes it so that we may discouver what it is on the inside of it.
ceea ce nu se vede..aerul
– viata depinde , de ceea ce nu putem definii sau identifica prin simturi.
Instalatie//work on site4×foto print pe canvas 3M -h/subiect: aer/confort
Source: | ro xa art on WordPress.co
/aircomfort serie foto credit:roxana ionescu
3 cm air buble-as in bublerap folosit pentru design pereti..podea si pentru design*obiecte simbol
*scaun pian&pian ,elementi ahitecturali de sustinere site specifice…
Instalatie sonorà by roxana ionescu
LUMINA AERUL SUNETUL au fost simtite ca si forta , sau putere in contextul vizual propus aici,deoarece aerul a folosit puterea sunetului pentru a aduce in realitatea noastra ideea propriei existente.
*implica transpunerea in functie de perceptia fiecaruia si traducerea SPECIFICA INDIVIDULUI prin filtrul celor trei dimensiuni complexe ale fiintei umane)
aer~sunet |sunet ~prezenta receptata| sens
Art Installation of large print photos of plane’s inside fabric..bublerap and voice /sound.
-piano and piano chair were contained after being tailored for silence”in a comfortable way”alog with elegant yet disturbant arhitectural elements
the geometry of a Circle was the graph ism that gave birth to the light relaxing impression sent by this art piece
The excellence of breathing/idea birthed out of the laborious process of flight& faith…found i real example like Jesus Christ of Bethlehem -Israel and the etherical dimension of air as observed in the process of flight.